By Pierre Destrée, Penelope Murray
The first of its variety, A better half to historic Aesthetics offers a synoptic view of the humanities, which crosses conventional barriers and explores the cultured event of the ancients throughout various media—oral, aural, visible, and literary.
- Investigates the various ways that the humanities have been skilled and conceptualized within the old world
- Explores the cultured adventure of the ancients throughout a number media, treating literary, oral, aural, and visible arts jointly in one volume
- Presents an built-in viewpoint at the significant subject matters of historic aesthetics which demanding situations conventional demarcations
- Raises questions on the similarities and changes among historic and glossy methods of brooding about where of artwork in society
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Extra info for A Companion to Ancient Aesthetics
1893. Epigramm und Skolion. Ein Beitrag zur Geschichte der alexandrinischen Dichtung. Giessen. ) Revermann, M. 2006. Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy. Oxford: Oxford University Press. J. 1981. ” Classical Quarterly 31: 1–10. M. 1989. “Trouble in the Early Career of Plato Comicus: Another Look at P. Oxy. 2737. ” ZPE 76: 223–228. M. 2004. ”TAPA 134: 295–322. Rösler, W. 1980. Dichter und Gruppe. Eine Untersuchung zu den Bedingungen und zur historischen Funktion früher griechischer Lyrik am Beispiel Alkaios.
Berlin: De Gruyter. P. 2011. Aristophanes and the Poetics of Competition. Cambridge: Cambridge University Press. Boedeker, D. , eds. 2001. The New Simonides: Contexts of Praise and Desire. New York: Oxford University Press. L. 1986. ” JHS 106: 13–35. Bowie, E L. 1993. ” Rhetorica 11: 355–371. Budelmann, F. 2012. ” In Agócs, Carey, and Rawles, 173–190. Carey, C. 2011. ” In Athanassaki and Bowie, 437–160. Collins, D. 2004. Master of the Game: Competition and Performance in Greek Poetry. Washington, DC: Center for Hellenic Studies.
And yet, given the number of competitions and long survival of festivals (until at least the third century ad), trends emerge: the growth in professionalization after the third century bc; mobility of performers; increase in the number of festivals; and variety of events. Seventeen sites in Greece are known to have sponsored musical contests before 400 bc (Herington 1985, 160–166). By the second century ad, the region of Boeotia alone could boast that many (Manieri 2009). Most opaque is the role of the individual evaluator.
A Companion to Ancient Aesthetics by Pierre Destrée, Penelope Murray